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Conversation with Iannis Xenakis JOURNAL ARTICLE published 1975 in Perspectives of New Music |
An Approach to Simultaneity in Twelve-Tone Music JOURNAL ARTICLE published 1964 in Perspectives of New Music |
Ives' Quarter-Tone Impressions JOURNAL ARTICLE published 1965 in Perspectives of New Music |
Computer Music Conference in New York, 1980 JOURNAL ARTICLE published 1980 in Perspectives of New Music |
Vortrag / 12 T K / Princeton JOURNAL ARTICLE published 1974 in Perspectives of New Music |
Relationships of Symmetrical Pitch-Class Sets and Stravinsky's Metaphor of Polarity JOURNAL ARTICLE published 1982 in Perspectives of New Music |
Edward T. Cone: String Sextet JOURNAL ARTICLE published 1969 in Perspectives of New Music |
String Quartet No. 3 JOURNAL ARTICLE published 1968 in Perspectives of New Music |
Pitch and Duration as Textural Elements in Lutoslawski's String Quartet JOURNAL ARTICLE published 1975 in Perspectives of New Music |
Language for One, Language for All: Adorno and Modernism JOURNAL ARTICLE published 1989 in Perspectives of New Music |
Boulez's Third Piano Sonata: Surface and Sensibility JOURNAL ARTICLE published 1981 in Perspectives of New Music |
1982 A.S.U.C. National Conference JOURNAL ARTICLE published 1981 in Perspectives of New Music |
Problems of Harmony JOURNAL ARTICLE published 1973 in Perspectives of New Music |
Errata for Pazur, Berger, Philippot, Swift and Randall JOURNAL ARTICLE published 1977 in Perspectives of New Music |
Requiem for Bill Albright JOURNAL ARTICLE published 1999 in Perspectives of New Music |
George Ives as Theorist: Some Unpublished Documents JOURNAL ARTICLE published 1975 in Perspectives of New Music |
Erratum: Sulle Scale della Fenice JOURNAL ARTICLE published 1992 in Perspectives of New Music |
Babbitt-Introduction JOURNAL ARTICLE published 1997 in Perspectives of New Music |
Time-Point Sets and Meter JOURNAL ARTICLE published 1984 in Perspectives of New Music |
Music Notations and the Representation of Musical Structure and Knowledge JOURNAL ARTICLE published 1986 in Perspectives of New Music |